All licks are adjusted to bass guitar range. Here’s a bluesy lick in the style of Herb Ellis, using the Bb major blues scale. This picture is just an extract of the whole score. You can use this tension in your solos by playing with the contrast between the blue note and the natural 3. Another chord substitution Wes Montgomery often used is a major 7 chord built on the b7 of a dominant chord. The next lick is also built around C minor. The first part of this lick is a real blues cliche. Listening to Joe Pass, Barney Kessel, or Lenny Breau tear through a chord solo doesn’t as much inspire as it does intimidate. Mixing b3 and 3 is often used by jazz musicians to create a bluesy sound. You will not be disappointed! The next example over G7 uses the G minor blues scale. The sound is different because, in the video, we’re hearing Emanuel’s actual guitar sound from his amp, recorded for the video, whereas, in GuitarPro, we’re hearing a MIDI sound produced in the software, not a recording of Emanuel’s playing. December 21, 2020 by admin 0 Comments. The second half of the second bar uses the C minor pentatonic scale, which has a b3. Article written by Leigh Fuge that focuses on some advanced, bluesy lead guitar licks based in minor pentatonic scale shapes. Jazz is not my favorite style, but I´m pleased and ist great thing, for showing as how works in Guitar Pro and on the guitar ! Instead of playing a dominant scale or arpeggio over dominant chords, Wes liked to use minor-type arpeggios or scales. Do you want to learn how to play jazz blues step-by-step? Jazz Blues Guitar [Easy solo licks] October 6, 2020. Next, we’ll have a look at a typical jazz blues solo over a blues in Bb. practice guitar licks 1. practice licks guitar 2. practice licks guitar 3. practice licks guitar 4. practice-licks-guitar-5. Classic Jazz Blues Lick 2. Start by playing through each shape to get your fingers used to these chords before you learn them in the study below. Blues Progressions for Jazz Guitar - Jazz blues progressions in its many forms covered in-depth. Another favorite chord substitution of Wes Montgomery is an augmented major 7 chord built on the b7 of a dominant chord. The sound of Wes Montgomery is firmly rooted in the blues. Bb Jazz Blues Soloing: Simple Phrasing. Thanks. The 4th measure is in the Bb Mixolydian scale, going to Bb Lydian dominant scale on the 3rd beat. Now that you have the I7 arpeggio under your fingers, all you are going to do in order to address the IV7 chord in a jazz blues solo is change one note from that initial arpeggio. The examples are in the key of E. These licks are some of the coolest you’ll find in jazz blues guitar lessons. Blue Notes are a drop of pitch of the 3, 5 and 7 of a major scale. In bar 12, a gm9 arpeggio is used. This jazz blues lick uses the A minor blues scale to create an ascending and then descending line over an A7 chord. R 3 7 Swing Groove. This lesson helps you begin your chord soloing studies no matter where you are in your development. Essentially a reversal of the previous move, it’s launched by a higher G major triad inversion, which is again decorated by a b3 grace-note hammer-on and is then answered by a stripped-down voicing of C6 (C, E, G, A) with its 5th, G, … The 6th, when played over a dominant chord, is written and heard as the 13th rather than the 6th. Here’s a second lick over Bb7 to Eb7 chords as found in a Bb 12 bar blues. Used in rock and blues, the minor pentatonic scale is also a staple of the jazz guitar sound, but used with fewer bends and with a bit of jazz flavor added to it. Next we'll play the chords as arpeggios in order an important aspect of jazz blues guitar: "playing the changes". The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. F Jazz Blues to Parker Blues in F. 20. Here’s a karaoke-style video backing track you can use for your blues practicing. Here’s another example of how to use the minor blues scale, this time over the first 8 bars of the blues progression. By lowering the 3rd of the Bbmaj6 arpeggio you get a Bbm6 arpeggio. Here’s an example lick that mixes two scales. In this lesson, you will learn a couple of different ways to bring out a bluesy sound playing over dominant 7th chords. Bb Jazz Blues: Walking Bass Line. Once you know it, you’ll hear it constantly in blues solos (similar to “the lick”). Check out our Introduction to Jazz Blues Guitar Volume 1 and Introduction to Jazz Blues Guitar Volume 2, or buy them both in our bundle below. This lick uses the Harmonic Minor with some Pentatonic notes in to add to the familiar feel. Jazz Blues. It’s true that the barre technique is not often used for playing jazz chords. In this section, you will learn to play a jazz guitar solo in the style of Wes Montgomery. Start by practicing each four-bar phrase at once, then combine them to play the study as a whole. Learning to play jazz guitar means learning how to tackle the jazz blues form, jazz blues phrases and bringing that bluesy flavor to your improvisations over standard tunes as well. 42. The tension of the b3 of the scale against the natural 3 of the chord creates the typical blues sound. Most of the blues’ harmony consists of dominant 7th chords. Share on Twitter. The next lick starts with an Ebmaj7 arpeggio as well and is followed by a Bbmaj7 arpeggio, before moving to the F Mixolydian scale. The Jazz Blues Licks From Bar to bar In the first example the opening phrase, and in fact the entire first bar, is minor pentatonic scale with an added blue note (B). Once again the talented guitarist enjoys mixing his two favorite styles of music jazz and blues. If you like the sound of this style, check out players like Wes Montgomery, George Benson, Larry Carlton, and Robben Ford. Because of this, many guitarists avoid studying chord soloing, as they don’t feel ready. His lines have driving rhythm, interesting note choices and always a sense of melody and melodic development that has made him stand out from his peers for the past 60 or so years. Jazz guitar scales are very important devices when learning jazz guitar. The chord window will bring up a diagram with the fingerings as well as many inversions of the chord. This lick makes use of … Every blues lick, bluegrass run, and jazz idea you learn will enter your playing in some way. Here is the music notation and backing track: The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). The scales that are used the most in blues are the Mixolydian mode and the minor pentatonic scale, both enhanced with blue notes. The following lick over F7 is built around C minor. Jon walks you through how to play jazz blues guitar in the style of Kenny Burrell by introducing some two string licks and some licks in thirds. I'm gonna introduce you to the slightly more elaborate 'jazz blues 12 bar form' as well as some soloing concepts to listen for and try to use in this style. Notice the slides and slurs in this lick, which can be just as important when getting a jazz sound over the blues as the notes themselves. One way to do this is mixing the minor blues scale with the Mixolydian scale. Descending triplets are a great way to add to the dominant chord often... Is a major 7 chord built on the backing track and jam the.. 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